Fidelia nyc professional#

The sensation this created brought in competitors such as the Red Star Line, which also adopted fixed dates. The service took several years to establish itself and it was not until 1822 that the line increased sailings to two per month it also reduced the cost of passage to 35 guineas. The Black Ball Line undertook to leave New York on a fixed day of the month irrespective of cargo or passengers. They arrived at port when they could, dependent on the wind, and left when they were loaded, frequently visiting other ports to complete their cargo. Up to this point there were no regular passages advertised by sailing ships. The packet ships were contracted by governments to carry mail and also carried passengers and timely items such as newspapers. The Black Ball Line established the modern era of liners. At some point in the line's history it became known as the Old Line and eventually became known as the Black Ball Line after the 1840s. The Wright, Thompson, Marshall, & Thompson Line was founded in 1817 and began shipping operations in 1818. Fidelia is a Blue Print Fellow and a COJECO grant recipient.England, a packet ship of the Black Ball Line Fidelia was selected as a National Auditions Finalist by the Lyric Opera of Chicago and SantaFe Opera a prizewinner at the Liederkranz Foundation Award Competition, and the Schuyler Foundation for Career Bridges in addition to other vocal competitions.Ī recipient of multiple awards and scholarships, Ms. She has earned Masters and PSD degrees in Vocal Performance from Mannes School of Music in New York City and received intensive training with the International Vocal Arts Institute (IVAI) in Israel, Puerto-Rico, Canada and France. Fidelia has trained with world renowned mentors Joan Dornemann, Vladimir and Olga Chernov, Renata Scotto, Will Crutchfield, Regina Resnik, Beth Roberts, and Nico Casel. Credits include soundtracks for the Tribeca Film Festival award winning film, 'Jack Smith and the Destruction of Atlantis', and the Cannes Festival award winning documentary “Bye-bye, Babushka!” Other select performance credits include the International Rachmaninov Society Recital in New York City presided by Vladimir Ashkenazy Stefan Weisman's new opera “Darkling” with the American Opera Projects recital for the UN Diplomatic VIP guests of the UN Russian Mission Harvard University donor events, and the tour of France with the New York Opera Society. 38 by S.Rachmaninov with the renown Brahms Trio. She returned to Moscow for more performances at major venues and commercial recording of Song Cycle op. Petersburg for the 'Art-November' International Festival, where she reappeared for several years. Fidelia was invited to perform in orchestral and piano solo recital tour of Moscow and St. Tour for PBS Television Special 'Romantic Journey' with one of Russia's leading crossover stars Nikolai Baskov numerous appearances for the Metropolitan Opera Guild Carnegie Hall the Kimmel Center in Philadelphia New Israeli Opera in Tel Aviv Centro de Bellas Artes in Puerto-Rico.

Petersburg Philharmonic Hall and Moscow International House of Music (Дом Музыки).Īmongst other numerous engagements and venues are: Beacon Theater on Broadway, New York City U.S.

Fidelia’s domestic and international engagement highlights include performances with leading Russian musicians at the St.

Fidelia is currently embarking on the dramatic Verdian and Verismo Soprano repertoire roles: Amelia (Un Ballo) Elizabetta (Don Carlo) Lady Macbeth (Macbeth) Maddalena /Andrea Chenier (Giordano) La Gioconda (Ponchielli) Adriana Lecouvreur (Cilea) Lisa (Pique Dame), the title role of Turandot (Puccini). Fidelia's recital repertoire is extensive and diverse. A frequent performer at the Carnegie Weil Recital Hall, Ms. Fidelia’s operatic repertoire includes the roles of Verdi’s Leonora in La Forza del Destino and Il Trovatore Mascagni’s Santuzza (Cavaleria Rusticana) Tchaikovsky’s Tatyana (Eugene Onegin) Poulenc’s Blanche de la Force (The Dialogues of the Carmelites) Georgetta (Il Tabarro) Mimi in La Boheme as well as the title roles of Puccini’s Suor Angelica, Butterfly and Tosca amongst other. She returned to Caramoor in subsequent seasons to work on the roles of Leonora in Verdi's Il Trovatore, Leonora in La Forza del Destino and appear in numerous concerts.

Fidelia nyc professional#

Versatile soprano Anya Fidelia made her professional debut at the Caramoor International Festival under the baton of Maestro Will Crutchfield.